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I'm getting great results on vocals, drums, acoustic guitars, and bass using this approach.

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I tried comparing the CL1B to The Glue, Waves Studio Classics, Waves CLA, PSP Old Timer, Sonnox, Fabfilter Pro-C, and DMGAudios COMPassion. As a vocal compressor in particular, its mixture of characteristic warm slow opto gain reduction and surprisingly versatile can’t-sound-bad operation have made it a staple across a wider variety of genres than perhaps any other optical compressor. I find that the CL1B allows the vocals to sit forward in the mix with out jumping out.Īlso try using the CL1B with lighter settings and following it with another nice comp (i like LA-2A or LA-3A style comps after it). Quote: Originally Posted by Clonkified Just bought the Softube Tube-Tech bundle from Tony. The Tube-Tech CL 1B is a modern classic for a very good reason. I am in love with the CL1B on any vocal source, but I have been using it as a sweetener on mixes that are nearly done. the CL1B wouldn't be my first choice to compress material that needs a ton of help.

I can see this being the case to some extent.

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Right now I am working on particularly challenging tracks that need a lot of work but still need to maintain their basic character. Softube Saturation Knob - Saturation Knob is a modeled audio can be installed on audio editing tools supporting VST and AAX formats Once loaded in, you will see the Reason Plugin Free Download and Reason Rack Plugin Effect CL 1B Plugin CL 1B Native Plug-in The CL1B NATIVE version for VST, AU and RTAS platforms is provided by Softube (Ive had. It can be used for a calm and natural dynamic control, but depending on your settings, it can bring out punch and life from any material. When I switch back to working with non-problematic tracks, it might become my go-to compressor. Tube-Tech CL 1B is one of those units that has a defined personality while still being useful on a variety of sound sources in a variety of situations. So far, I haven't found it is what I am looking for on male vocals, electric guitar, or bass guitar, or even string bass. Maybe I'll like it on drums or keyboards tonight, when I get to those stem submixes. Liquid Mix HD also offers a ‘free’ mode for all compressors original compressors with limited or absent controls suddenly become fully featured – yours to use as you choose.Mhschmieder wrote:Yeah, I admit it sounds great, I just haven't found an application for it yet. As with the original Liquid Mix, a hybrid user-defined seven-band ‘super EQ’ is available in every instance, built out of separate classic EQ bands.

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Forty Compressors and twenty EQs are available straight out of the box, with some additional emulations available for free online. Forum rules This forum is for seeking solutions to technical problems involving Digital Performer and/or plug-ins on MacOS, as well as feature requests, criticisms, comparison to other DAWs. Each instance of the Liquid Mix plug-in provides one Compressor and one EQ emulation, selectable from a huge pool of high-quality vintage and modern day classics. For seeking technical help with Digital Performer and/or plug-ins on MacOS.

Providing the same pool of classic EQ and Compressor emulations as the Liquid Mix range, Liquid Mix HD brings the sound of priceless and historically significant compressors and EQ’s, straight to the DAW.

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Focusrite Liquid Mix HD 1.2 TDM (MAC OSX)-INTEL Focusrite Liquid Mix HD 1.2 TDM (MAC OSX)-INTEL | 971 MBįocusrite’s Liquid Mix HD offers the power of Liquid Mix exclusively to the Pro Tools HD market.

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